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Charlotte Moss Townhouse - Part III

So, I failed to mention earlier what I was doing with the rest of my Friday. Well, this morning I was touring the Charlotte Moss Townhouse with none other than Charlotte Moss herself and her wonderful assistant Cathy! Go ahead. Take a moment to hate me. I know you want to. I would hate me too. But let me tell you how it happened anyway.

I got home last Saturday after a day of shopping in the city to find an email from, I almost fell off my chair, Charlotte Moss. I had to look at it a few times to make sure no one was playing a trick on me but apparently, Ms. Moss had learned about the wonderful world of blogs! She was so gracious and flattered that I had included the shop on my blog and wanted to meet me! Me! Crazy! So we planned a little interview and meeting!

I thought I would be too nervous to ask questions and write down all the answers legibly and comprehensively at the townhouse so Ms. Moss was kind of enough to answer a few questions ahead of time with the help of her very sweet assistant Cathy. After the interview section, I'll get to the tour!

I mentioned to someone else I interviewed recently that creative types either know from the time they are little that they want to be an artist or designer or get sidetracked completely and end up working in finance or law until they can't take it anymore and finally make the switch. It seems to have been the latter in your case since I know you had a successful career on Wall Street before becoming an interior designer. I'd love to know if you were creative growing up and how you made the decision to finally open your own interior design business.
Yes, I was creative as a child but got sidetracked to Wall Street. In college, I wanted to major in interior design but was too intimidated to complete the portfolio required because I couldn't draw. So instead, I majored in English and took all my minor credits in art history... and as the story always goes on Wall Street...mergers. When the firm I worked for was acquired by a larger one, it was the perfect time for assessing the future. It just seemed like the right time to get a business plan together, take the bonus and go buy a container.

You had a shop on Lexington Avenue from about the time you started your business until it closed in 1996. What made you decide that now was the right time to open another shop, especially one on such a grand scale?
When I started the business in 1985 it was done with a concept similar to an English decorating shop which was foreign in the US. A couple of years ago, I started to get the retail pang again because I felt that something was missing in the shopping experience. As an interior designer and after having done 13 decorator showhouses in my career, I've heard the oooos and aaaahhs from visitors to those rooms - hence I know the value of the finished product. The finished product more often than not isn’t only about the contents but about the atmosphere. I wanted to again create my own retail atmosphere as if I were inviting people in to my own home.

The one thing that everyone seemed to notice right away from the photos online was that the actual facade of the townhouse seems a bit more clean and modern than the rendering. Can you explain to everyone what happened?
Very simple - the restrictions imposed by being in a historic district as well as what the city of New York and the landmarks commission will and will not let you do - it's as simple as that.

I know you love to read, especially biographies about women. I'd love to know which is your favorite book and what are you reading now?
I couldn't possibly name a favorite book! I have 3 libraries so it would be like naming which is my favorite library. I've read too many books to only name one but let me just say if someone gave me a day off I would spend it locked in my library. I have 3 books I'm working right now, Hermoine Lee's biography on Edith Wharton; Istanbul and Deluxe by Dana Thomas. I usually read 3 or 4 books at the same time - all very different. I do that too but my problem is that I never finish half of them!

I think it's important to give back in this world and I know you are very philanthropically inclined. What are the causes that are most important to you?
Child welfare, literacy, immunological research…Unicef, Operation Smile, The Leukemia Society.

We all know now from Joni over at Cote de Texas that you recently sold your Aspen house otherwise known as Winter House and bought a new house. Will we see another book? Perhaps, A New Winter House?
Maybe sometime in the future (first I have to decorate the next Winterhouse - but that's after I merchandise the store for Christmas) but before that you will see "A Flair for Living", a lifestyle book being published by Assouline for Spring 2008. You heard it here first folks!

I've joked to friends that the Charlotte Moss Townhouse is like Mecca for Southerners. I've overheard mothers and daughters on Madison Avenue talking about going over there and the day I visited, there was another big group of Southern ladies shopping. Did you ever have any idea that the new Townhouse would be so well received and talked about online?
My previous store, lectures and books have always had a strong Southern following - after that all you can do is pray.

And finally, what can we expect from you next? What other fabulously chic ideas do you have up your sleeve? After the Townhouse, I can only imagine!
Well of course we won't let the whole cat out of the bag - BUT - as I mentioned above, my next book "A Flair for Living" will be published by Assouline next spring. We'll have a new fragrance at the same time and depending upon how much energy I have a great CD as well. We also have two new collections of bedding to launch in February, two new china patterns this fall, and of course lots of Christmas goodies so please come shopping! We’re going to have a great article in the October issue of O Home hitting the newsstand soon – check it out. We are soooo excited! And so are all of us!!!

I have to say, meeting Charlotte Moss today and having her show me around the shop was such a treat. She pointed out so many details that I would have otherwise missed and was so passionate about everything. She was very eager to point out that the shop was specifically designed to have a diverse array of points, not just so everyone can find something for their price range but because "that's the way we live". We now live in a culture that mixes their Manolos and vintage YSL with current J.Crew, just the way she does!

Charlotte Moss has so much going on, that I cannot understand how she is not exhausted! She is so passionate about the items she has chosen for her shop and she very much appreciates the craftspeople who continue traditions that are slowly dying out, it's hard not to get excited too. There is so much forward momentum with her that you get the feeling she must wake up in the middle of the night with an idea for her next project!

I was very honored that she would take the time out of her obviously busy day to take a little blogger like me on a personal tour. I think that speaks volumes about the graciousness of Charlotte Moss. She also assured me that I am welcome back any time and there will be no need to sneak around taking photos! So sweet! I definitely look forward to reporting back on what I can only imagine will be some spectacular holiday decorations and accessories! Many thanks to Charlotte and Cathy for such a special and memorable tour!

Oh, one piece of advice, if you want to buy anything online or in the shop at Charlotte Moss, I'd do it soon because you know the minute Oprah's O at Home magazine comes out, there will probably be a mad dash to buy up every fabulous item...but if that happens, I have a feeling Charlotte Moss already has a few new tricks up her haute couture sleeve to keep us coming back for more!
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Orange You Glad It's Friday?!

Oh, here I go again with two of my favorite things, the color orange and vintage cars, all wrapped into one adorable package. Tina Turner is sitting in one the cutest little cars ever made, a Fiat 500 Jolly. I LOVE these cars and when I'm rich enough to afford a villa in the South of France like Tina, I'm gonna buy one too!

Until then, I'm going to enjoy my glorious day off today and pretend I'm a lady who lunches while getting my hair done. Happy Friday!

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Highland Fling

It's a grey day in New York today and everything I thought about posting seemed too cheerful after Andree Putman and Chateau Les Merles so I thought I would post a photographic essay of a modernist castle on the moors of Scotland instead. Created by one of the world's leading architects, Moshe Safdie, the brawny yet graceful stone and glass towers of Corrour Lodge marry the past to the present. The photographs by Martyn Thompson are so breathtaking that I am going to let them do all the talking. If you want more information, it can be found in the February 2006 issue of House & Garden. Enjoy!











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Rose Cottage terminado

Como no me gustaba la terminación original , hice algo más sencillo . Añadí unos botones de madera.
Después de que me hermano me " persiguiera" para que le hiciese algo.... ya tiene aquí un cojín , hay que ver lo que ha tenido que esperar el pobre. Todo llega.


Cojin Rose cottage terminado
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Absolutely Beautiful Hotel: Chateau Les Merles


Recently, Anna over at Absolutely Beautiful Things profiled the most gorgeous hotel in France, Chateau Les Merles, that I am absolutely drooling over. I'm sure all of you saw her post but the hotel's website has so many more beautiful photos online that I just had to share some of them. I hope Anna doesn't mind. I also thought it would a perfect follow up to Andree Putman.

As you have probably realized by now, I'm a total sucker for period details mixed with modern furnishings and Chateau Les Merles with the help of Dutch designer Joris van Grinsven more than delivers. It is now completely and utterly alone at the top of my must visit list!

I LOVE the hand door knocker above and the punch of color on the chairs below. The photographer wasn't credited on the Chateau's website but he should be because he or she has a great eye for composition!

The white slip covers lend a casual relaxed atmosphere to what could have been a very austere room and the light wood colored armoire softens up the black and white palette.

I love the chalk board labels in the wine storage room below, as well as the graphic pattern of the square bins and round bottles.

I was surprised to learn that the Chateau had a golf course, which I think would make a fun couples trip. Of course, I'd be laying out by the pool and drinking some of that wine while everyone else was out chasing a little white ball. You didn't really think I played sports did you?

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Life with Andrée

I'm not a huge fan of black and white or neutral interiors but that doesn't mean I don't appreciate them when I see them done well. Such is the case of the Paris townhouse designed by the uber-fabulous French interior designer Andrée Putman. She's so chic she frankly scares me a little bit! I picture her scowling and yelling in raspy French to her workmen while a Gitanes dangles precariously from her lips.

But, I love the way she mixes the modern furnishings, including furniture from her six easy pieces line for Ralph Pucci, with the 19th century interior full of period moldings and hardware. Even though I love color, I feel like I could easily live her it's so serene and relaxing. I think I might need to have multiple homes to accommodate all of my different design personalities.

I've seen her do this type of vertical garden in the courtyard pictured above at the Perhing Hall Hotel in Paris and I hear she has plans to install one at the Morgans Hotel in New York that she originally designed 20 years ago and is currently in the process of redesigning.

I think part of the reason that the home doesn't look too cold or stark is the use of so many curved lines. From the circular staircase above to the custom furniture with curved edges and tables with big round ball feet, everything is soft and seems to flow. She even continues the curves in the kitchen and bathroom not shown.

I think modern gets a bad wrap sometimes but Andrée Putman actually manages to make it look pretty and inviting. I just hope she didn't get any cigarette ashes on the white carpet!

Photos by François Halard

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To My Shagreen

I happened to be looking around blogland today and stumbled upon Studio Annetta's lovely blog to find that she had just profiled one of my favorite design firms, Augousti. Owners Ria and Yiouri are pictured above. You have probably seen their shagreen and snakeskin bags around, as many stores carry them but their furniture is exclusive to Barney's and it is amazing!

It just so happens that I was at Barney's recently and had photographed their shagreen desk and matching chair. It was not only beautiful but was so well crafted and thought out. The little doors on each side open to reveal storage areas, one hidden by a lid and the other for hanging folders.


The desk alone was $4,000 so I didn't even bother to check how much the chair was because if you have to ask, you can't afford it and I definitely don't think I could have afforded it, much to my chagrin. I may have to make due with one of their little clutches. They seem to be a bit more in my price range.
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Give Me Libertine or Give Me Death!

I thought about calling this post Johnson Hartig's All Grown Up and I'll explain why in a minute. As many of you probably know by know, Libertine designers Cindy Greene and Johnson Hartig pictured above are profiled in the September 2007 issue of Domino. But what few of you probably remember is that Johnson Hartig was also profiled in the September 2002 issue of House Beautiful below! I know this because I have the tear sheets to prove it! I thought it would be fun to look back and see how his style has changed in the past five years. I think it definitely looks like he grew up and refined his decorating style while still retaining his penchant for collecting.

Hartig above from five years ago working on his then burgeoning clothing line in the red workroom. Glad to his dog Pocket is still around too!

The photo above is of Hartig's new living room in his house in LA which is dominated by a giant Damien Hirst spin painting. I remember making this type of art when I was little. I might have to ask my parents to find them since they're back in vogue! Hirst was also a recent collaborator on a recent Libertine collection. Hence the skulls as well.
The walls in the new house mostly all white a departure from his previous LA penthouse living room that was full of color above. The new white walls are the perfect blank canvas for his colorful collection of art but also work well with his antiques and modern furniture.

Everything seems cleaner and more streamlined in the new house above as compared to the old penthouse below which was a bit cluttered. An English Regency dresser is flanked by 18th-century chairs and topped off with a Lucite and chrome flea market lamp.

Hartig did keep his British flag motif but instead of a rug like in the old penthouse above, he now has a pillow on the couch. A self professed Anglophile, now mixes his Anglo antiques along side Lucite, modern art and memento mori that all seems to work.

I think it's amusing that the new house has white walls in every room but the bedroom above while the old penthouse had colorful painted walls in every room but the bedroom. I love how his style has changed and evolved and it's so nice to know that the company he was running out of his penthouse is still in business. Libertine has grown up and it looks as if Johnson Hartig has too! Oh, and a line for Target ain't too shabby!

Photos by Paul Costello and Fernando Bengoechea
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Pop Paradise - Part Deux

I love it when when a great home is profiled by different magazines. It gives me a chance to see different rooms and angles and perhaps notice how certain aspects might have been added or changed. Such was the case with Lisa Perry's family summer home in North Haven, NY. I profiled this home a month ago in Pop Paradise based on the spread in Hamptons Cottages and Garden magazine and now Domino has profiled it in the September issue.

I don't usually love white walls but in the case of a serious art collector, they make the best backdrop, especially for the bright and colorful pop art that the Perry's collect. I also think it lends a light and airy feeling to the summer house.

For those of you who don't know, Lisa Perry has been an avid collector of vintage fashions and just recently began a clothing line based on this love. She and her husband are also avid fundraisers for quite a few charities and host many parties at this home.


The color for the custom kitchen cabinets alludes to the water and sky that can be seen in the epic views from all over the house. The perfect shade of blue actually came from the Merimekko pillows in the den below. Lisa definitely knows how to coordinate!

It's raining and dreary today in New York and I thought profiling this home would be the perfect pick me up. It's cheerful and fun and definitely the perfect pop paradise! I wish I was there right now!

Photos by Douglas Friedman
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Apres le Deluge - Part Deux

Some of you might remember my post, Apres le Deluge, from about a week and a half ago where I waxed poetic about a fabulously chic townhouse that I walk by on my way to work everyday that was redesigned by architect Edward Durell Stone after he bought it in 1956.

Well, the next day, I received a lovely email from Hicks Stone, the man standing in the photo above and the son of Edward Durell Stone and also an architect, asking me if I would like more information or photos about the house he used to live in. Would I??? Absolutely! And thus began an email correspondence and a meeting at the Four Seasons, an apropos choice of meeting sites seeing as Philip Johnson was a friend of his father's and his former boss!

Hicks Stone was kind enough to send very old photos of the house like the one above that shows the house before the bay window was removed and the screen wall was added. It is the third home from the right with the dark bay window. The house next to it on the right has since been painted white.


It's also so exciting to see the original interiors and compare them to what they look like today. The original shoji-screen style door were originally backed with paper and painted gold, which I happen to like but now they are paperless and painted white below.

The living room originally had wood paneling that the new owners decided to remove. For some reason, the original design reminds me of what Philippe Starck is doing now. What's old is new again!


I didn't send Hick Stone any formal questions before we met because there is already a really great interview on his website under the biography section. It is definitely worth checking out! I think the best part about Hicks Stone's email was that it prompted me to go back and really research his father's career in more detail before we met. I did ask him if he thought his father was the greatest architect no one has ever heard of today and he agreed that our generation doesn't know him but they should and he's starting to see his father's designs come back into style like in the work of designer Jonathan Adler.

I wish more people know about this amazing architect who was on the cover of Time Magazine in 1958. How many people get that honor?! The accompanying article is fascinating, as is his book The Evolution of an Architect. Edward Durell Stone is a great storyteller and I recommend this book for any lover of modern architecture. He also worked on some amazing architectural projects at some of the firms he worked for and on his own, including Radio City Music Hall, The Museum of Modern Art, The Huntington Hartford Gallery at 2 Columbus Circle, The Kennedy Center for Performing Arts in Washington, DC and so many others, including the US Embassy in New Delhi, India pictured below.

It is considered a masterpiece and was said to have been greatly influenced by his second wife Maria, who is Hick's mother. Frank Lloyd Wright, a longtime friend and rarely one to pass out compliments, proclaimed it to be "The only embassy that does credit to the United States" and suggested they call it the Taj Maria.

Edward Durell Stone is the greatest American modern architect who's name people should know. I hope that you'll think of him the next time you go to Radio City Music Hall or The Museum of Modern Art. I know I will think of even more fondly now every time I pass by his old house. And I thank his son Hicks Stone for sitting down with me and discussing the man he just called dad.
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