Halaman

Fashion and Design

The award for the most literal pairing of fashion and design came from Bryan Bradley the designer of Tuleh who showed his Fall 2009 collection in the Roubini Casa showroom at the New York Design Center where he is also debuting a new line of rugs. Tuleh is known for beautiful prints and feminine silhouettes and it will be interesting to see how they translate the patterns into rugs beyond those that you can see in the "runway" photos here.

Bradley's inspiration for the fashion this season was the book Them: A Memoir of Parents by Francine du Plessix Gray which tells the story of her parents, Alexander Liberman, an artist who would later head Condé Nast and Tatiana du Plessix, a model and society milliner, and their resourcefulness as Russian émigrés. I have this book on my shelf but haven't had time to read it yet. I hope when I do that it inspires my designs as it did Bryan's fashions!





Photos from Style.com

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Georgia's Home on My Mind!

After seeing Georgia Tapert's store, I had no doubt that the home she shares with her fiance would be a chic reflection of her love of travel and her eye for interesting pieces and I wasn't wrong. I also appreciate that she wasn't afraid to mix in a few new pieces from places like West Elm and Crate and Barrel. She kindly offered to share photos and I hope you enjoy them!

The elevator opens up directly into the apartment so created a welcoming vingette with a dresser that her mother grew up with in her home and vintage lamps she found in an antiques shop in New York that are possibly from the 1950's. The painting above is by Michael Ray Charles and the rug was picked up in India.

I love that she floated the sofa from Mitchell Gold in the middle of the room and wish more people would try this set up. The light Belgiun linen upholstery is the perfect neutral back drop for the custom green Belgian linen pillows with chocolate brown velvet borders. The vintage coffee table was found at John Derian while the box on it was brought back from a trip to Vietnam. The metal desk in the back is vintage.

The 1950's end tables with smoked mirror tops were found for a steal at an estate sale and are topped with lamps from Crate and Barrel. The shell lanterns are from a shop in New York that sells Moroccan pieces. I'm going to have to work on finding the name.

The hand painted burlap floor pillows can be found at Georgia Tapert Living and the vintage 1930's leather club chairs belonged to Georgia's fiance. The plantation chair in the corner is from India c. 1850s that was reupholstered in a glazed linen stripe from Rogers & Goffigon. I think I've mentioned them before but Rogers & Goffigon make some of the best fabrics for vintage pieces since none of the colors or fabrics look too new.

The parchment top dining table is part of Carolina George collection available at Georgia Tapert Living and has mahogany bases with nickel banding on bottom. The stools are vintage and the artwork is actually pages from a book of Andy Warhol's early work as an advertising illustrator that she had framed. This is an idea that a lot of designers use since you can get an instant collection of artwork for usually not a lot of money.

The bar cart is vintage and I think my favorite thing in the apartment has to be the 1950's planter that Georgia uses as an ice bucket when they entertain! I think that is such a chic idea and there are more for sale in the store!

Georgia and her fiance painted the back wall of the bedroom a dark gray/blue to create a headboard effect until they could find a bed they liked. This is a great idea for small apartments that might have room for a headboard. The color also sets of the series of works by Duane Michals. The bedside tables are vintage English telephone tables that Georgia lacquered herself in slate color and sitting on them are old lamps from CB2. I think the pièce de résistance is the fabulous bedding from Olatz the fabulous shop owned by Julian Schnabel's wife.

I think Georgia's home is not only a great reflection of her style but great way to live these days. There is that wonderful mix of family antiques, vintage furniture, pieces picked up traveling, things that were painted or repurposed, and new items from big retailers that creates a uniquely personal home. But then again, I didn't expect anything less from the chic and gracious Georgia Tapert!
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3 Fine Grains - High-End Antique Originals

Since my last post on Antique Grain Sacks, I have had an overwhelming amount of emails and interest in antique linens. Like all antiques there are levels of uniqueness, rarity and therefore of value. Most of the textiles I featured were plain striped sacks, but I have learned about another world of textiles: the very high end, elite textiles! These are printed grain sacks with writing and even more unique, those with pictures of wreaths, horses or crowns. These grain sacks are quite rare and, of course, very valuable. Owning one is like investing in a precious piece of art, one with a unique history.
Since the mention in The Washington Post, I had the great personal fortune to connect and speak with Textile Artist and Interior Designer, Kymberley Fraser of 3 Fine Grains. Kymberley collects, restores and re fabricates these very rare vintage sacks into "Authenticated Originals". Kymberley explained that she has always had a passion for antique textiles, and as a result she has developed a true respect for these linens as historical antiques. She believes if her well preserved pieces could speak; they could tell amazing stories of people's lives in times past. Like any other reputable and knowledgeable dealer, Kymberley has been collecting for many years. She recently began designing these linens in to pillows and reupholstering them on to classic antique chairs and ottomans to create one of kind pieces of furniture.

Let's review some attributes of these rare linens and how to tell if its an original.
These textiles, on average are 100 years old. All are hand woven, made of pure hemp linen. The weave is generally a herringbone. Most originals have darns, or hand patched holes and staining. The chairs above both have pictures, as well as printing, which add to their value.
The horse symbol is very rare. This vanity or desk chair is made out of a very rare German grain sack from 1907. Notice the patching on the bottom right corner. Sadly this item is already sold, but Kymberley will do custom orders.
These rare Horse sacks above are stamped on both sides and are from 1909. Kymberley was able to locate four of these very rare sacks; wouldn't they look wonderful upholstered or slipcovered for dining room chairs! Here are examples of Laurel Wreaths from 1862, 1869 and 1898. The addition of the wreath adds significantly to the value of the piece. Notice the wonderful nubby weave and patching on them.
Extremely sought after and collectible are the very rare "Crown" sacks. This one, from 1862, was made into an ottoman. It's so charming, with nail heads around the base and ebony turned legs. Here are some lovely examples of Laurel Wreathing and Vines. I especially love the chair - what a wonderful piece of history beautifully preserved. Here is a kidney sized pillow from 1902 with a unique nautical print. Wouldn't this look fabulous in beach house?
These are examples of Puy Lentil sacks from the early 1900's made from jute. The Train sack is from Friesland which is a province in the Netherlands, while the Stork sack is from France. Rare and beautiful!
Above are two extremely rare sacks. Not very often are two sacks from the same farmer at the same time, still preserved and available. These are #2 and #5 - If you see two sacks that are identical beware! Sadly, like any other hot antique, fakes are starting to enter this market.

Kymberley guarantees that the integrity of her textiles and the printing are original and none are modern reproductions. When you are buying these special printed antiques sacks you need to ask, is it the sack that is antique or is the printing a modern reproduction on an antique sack? Here are some tips from Kymberley: Check that the sacks are not too perfect, have imperfections in the weave, or patching; also make sure the printing is not too bold or uniform. All are signs of reproductions.Another very rare sack from Kimberley has printing and stripes. This one is original, but you may start to see this type of fake, as well. They are taking real antique stripe sacks, which are inexpensive in comparison, and stamping them with modern printing in an antique style. So buyer beware and buy only from reputable dealers.
Of course these textiles are "green" - 100% pure organic hemp linen and tar based printing, made before "green" was even a concern or "in vogue". Kymberley's pillows range in price from $250 to $500 dollars. Her furniture and pillows are available in CA at Bungalow Antiques in Agoura Hills, and on line. Thanks Kymberley for giving us a lesson in these rare and timeless linens!
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Chic Shop: Georgia Tapert Living

In these tough economic times, I think it's even more important to support smaller boutiques like Georgia Tapert Living. Georgia grew up around design as the daughter of writer Annette Tapert and worked for interior designer including David Easton, Haynes-Roberts and MAC II under Mica Ertegun. After leaving that world, she wanted to open a shop that reflected her love of travel and design and so Georgia Tapert Living was born.

The array of new and vintage merchandise is made up of tabletop pieces, gift items, artwork and furniture which includes pieces from the line she designs with her friend Caroline Cummings called Carolina George. The line was created out of a personal need for double duty dining table that fit New York apartment living while others were based on antique mechanical furniture. My favorite is the school girl desk and the best part is that all the furniture is made in America and can be custom sized and finished. They are currently reworking the line and are hoping to bring the prices down too.

Georgia also has a fabulous apartment full of items that she's collected on her travels and some of the furniture pieces that she has designed. Be sure to check back tomorrow for photos!








Georgia Tapert Living
456 Broome Street
New York, NY 10013
212-334-7969


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L´Aiguille en fête 09

¿ Cómo iba a imaginarme este fin de semana pasado en la Feria de la Aguja de Paris ? Ni soñando.
Quizá algún día , siempre había pensado. Pero este año y rodeada de una compañía de lujo he cumplido uno de mis sueños.
Absoluta y rotundamente , encontrarme con amigas que echaba de menos , ha sido el mejor regalo para mí. Gracias a todas por los ratos que hemos pasado juntas, hablando, riendo, compartiendo, difrutando......

Así amaneció el viernes , un día gris ,lluvioso y con algunos copos de nieve.





Pero nosotras íbamos listas , con toda la ilusión del mundo y dispuestas a disfrutar " sólo punto de cruz, sólo patchwork ".....

Realmente no podía creer la cantidad de gente que había , quizá más el fin de semana ....pero no , desde el jueves, el primer día, todo estaba a tope......






Después de pasar por la Couserie Creative, cita obligada donde compré estos libros y unas maquinitas para hacer biés , para futuros trabajos que ya están en mente.....





Un vistazo a su interior.....




... disfrutamos un ratito en esta " librería" que estaba nada más llegar a la entrada. Pude consultar algunos libros que tenía pendiente de ver.... A veces un título parece interesante, o la portada adivina su interior ...pero no siempre las cosas son como parecen y es mejor echar un vistazo y asegurarse...... Yo me hubiese sentado , tal " lectora de la FNAC " y me hubiese estado las horas muertas ........




Para las tejedoras una foto de esta inmensa casa hecha de trozos y adornos tejidos por multitud de tejedoras......¡Impresionante ! Me recordaba a la casita de Hansel y Gretel .





A la entrada también se encontraba el stand de Cinamon Patch. No es que ahora vaya a darme por el fieltro ,¡ ya sólo me faltaba otra cosa más! Pero fue difícil resistirse a estos colores y probar a hacer algo similar a las muestras que tenían allí.
Junto a estos rollitos de fieltro, meras muestras más que otra cosa, compré un tubo de hilo de la marca italianaAurifil con el tono exacto de uno de los rosas , hecho con lana y estupendo para hacer festón. Hay otros tipos de este hilo según para lo que se quiera. En otros stands habían expositores para quilting en numerosos colores. De momento probaré a ver qué tal.



Una casa portuguesa ofrecía unos ovillos de Palmeira ( ¿ será la " Palmera " que conocemos aquí ) a 1.5 y 2 euros , ¡ genial para el fieltro !..... Saqué los tonos del otoño, y ¡ bingo , el mismo tono marrón !




Como podéis imaginar, las publicaciones también también tenían su sitio. Esta imagen pertenece a un trocito de De fil en Aiguille




Este sampler, por ejemplo , aparece en su último número. La foto no es muy buena , pero en su sitio puedes verlo mucho mejor.








Reflets de Soieexponía sus samplers que te dejaban con la boca abierta..... reminiscencias del pasado bordado en linos de alto count...






Esta maravilla ,por ejemplo, está bordada en un 40ct . Se trata de "Stéphanie Desmidt 1844". Una reproducción de la propietaria a modo de muestrario.
. Te recomiendo , si te gustan los samplers antiguos que visites su blog. Allí también encontrarás gráficos gratuítos.




Otros stands exhibían bordados de varias diseñadoras como éste por ejemplo.....





Una de las novedades que pensábamos traer firmada era el libro de Francoise Prax
titulado "Miniatures au point de croix, + de 50 modeles " de la editorial Marabout . Allí estaba la autora más contenta que unas pascuas , dándole al boli.
Estos alfabetos son conocidos por su venta en kits. Ahora podemos disfrutar de estas miniaturas en un libro, ¡ un lujo ! El stand, obviamente era el de Alfabets de Toulouse


mosaic3019682


Fleur de Lin et Bouton d´or era uno de los sitios que llevaba apuntado para visitar. Había descubierto su web hace algún tiempo y disfrutar de sus antigüedades era algo que no podía perderme. Ya sabéis lo que me gustan estas " antiguallas ".






.......Paris nos despidió con una soleada mañana al día siguiente y con entrañables recuerdos que nos llevaríamos a casa para recordar el resto del año.

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