Christopher Spitzmiller at Home
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"My pieces consist of portraits of friends, vacations I've taken, places I've lived and important talismans in my life. I seek to illustrate my life through thread in the same way that the Bayeux Tapestry and 17th century stumpwork pieces provided a first-hand and immediate glimpse into the lives of the past."
"I also create postmodern samplers which reflect my point of view on society today and also offer an opportunity to explore feminist themes. For me, embroidery is a way to physically connect to traditional "women's work" of the past and at the same time create an intimate and slightly subversive look at modern life today."
I also appreciate the slowness of the craft. My more complicated pieces can take up to 3 or 4 months to finish and in a world which increasingly seems to value speed over content, this medium signifies my small rebellion against the "now" generation and my commitment to the merits of "slow art."
"I was so excited to get home today cause I thought you were going to do a great job. But this is truly amazing. I am so beyond thrilled you have no idea. You made me so happy. The best way I can describe is to say that it finally after five years feels like "home." But only that home belongs to a stylish friend of mine. I was having such a crappy day that I thought I needed to go for a run to feel better but now I don't want to leave. This place is so great. You should be so proud of yourself. I can't get over the bedroom. Its amazing. But I agree it needs art. Art will be like the frosting on an amazing cake! Thank you is not enough!"
I also move the plaid arm chair to near the window and paired it with a new reading lamp and a brown drum table that she inherited from one of her sisters. We have picked out a new fabric to have the chair reupholstered but since you know that upholstery is expensive, we're holding off on actually having the work done for a little while. While I was there, I also restyled the area under the television so that the picture frames hides the paraphernalia behind them.
I spent a lot of the day ironing linens and creating a dreamy bedroom. Anyone who wants to become an interior designer needs to realize that there is no job that is too big or too small. You will be ironing and cleaning and on your hands knees plugging things in and getting dirty. Be prepared. We still need to find lamps for the bedroom which is my weekend project but even without them, the room looks so much pulled together as you can see from the before photo below. I might also find a patterened fabric for a boudoir pillow to add a little more color to the bed.
Bedroom - Before
We already bought the draperies but I need to buy new hardware before they can be hung. I'm not going to ruin the surprise and tell you what they look like but the will pull the whole room together perfectly! Now I just have to find a chandelier!
I also had the men switch the placement of the large armoire and the dresser. It really does look much better and now the draperies will have more room to drape. The Bachelorette also had some things on the floor so I moved one of her old garden chairs into the bedroom and now she has the perfect place to sit her gym bag.
I read this quote from interior designer Veere Grenney in the November/December 2008 issue of Australian Vogue Living and it really resonated with me. "If I am doing a room for someone, I really care about them and not how it will look in a photograph. I want to make them feel safe, to make them feel important. I really want people to have a happy time when they're in that space Otherwise, what's the point?" I feel exactly the same way. Making people happy is the glamorous part even if the installations aren't!